Demonic gay sex art
"Spirit in the Dark" is one of many songs recorded by the "Queen of Soul" diva, Aretha Franklin, that blurs the boundaries between the sacred and the secular - both through its lyrics and its musical composition. © 2015 by the Board of Trustees of the University of Illinois. Revitalizing and wide-ranging, Funk the Erotic offers a needed examination of black sexual cultures, a discursive evolution of black ideas about eroticism, a critique of work society, a reexamination of love, and an articulation of the body in black movements. Their goal: to ensure survival and evolution in a world that exploits black bodies in capitalist endeavors, imperialism, and colonization. In considering the Victorian concept of freak in black funk, Stallings proposes that black artists across all media have fashioned a tradition that embraces the superfreak, sexual guerrilla, sexual magic, mama's porn, black trans narratives, and sex work in a post-human subject position. Brandishing funk as a theoretical tool, Stallings argues that Western theories of the erotic fail as universally applicable terms or philosophies, and thus lack utility in discussions of black bodies, subjects, and culture. Stallings uses funk to highlight the importance of the erotic and eroticism in Black cultural and political movements, debunking “the truth of sex” and its histories. Stallings uses funk in all its iterations as an innovation in black studies. But funk is also an experience to feel, to hear, to touch and taste, and in Funk the Erotic, L. It is the affect that shapes film, performance, sound, food, technology, drugs, energy, time, and the seeds of revolutionary ideas for black movements. It is multisensory and multidimensional philosophy used in conjunction with the erotic, eroticism, and black erotica. As Crawley deftly reveals, these choreographic, sonic and visual practices and the sensual experiences they create are not only important for imagining what Crawley identifies as "otherwise worlds of possibility," they also yield a general hermeneutics, a methodology for reading culture in an era when such expressions are increasingly under siege.įunk. Examining the whooping, shouting, noise-making and speaking in tongues of Black Pentecostalism - a multiracial, multi-class, multi-national Christian sect with one strand of its modern genesis in 1906 Los Angeles -Blackpentecostal Breath reveals how these aesthetic practices allow for the emergence of alternative modes of social organization. Crawley engages a wide range of critical paradigms from black studies, queer theory and sound studies to theology, continental philosophy and performance studies to theorize the ways in which alternative or "otherwise" modes of existence can serve as disruptions against the marginalization of and violence against minoritarian lifeworlds and possibilities for flourishing. In this profoundly innovative book, Ashon T.